THE PSYCHOLOGICAL AND ARTISTIC ANALYSIS OF THE PHENOMENON OF SELF-UNDERSTANDING IN ENGLISH AND UZBEK POSTMODERNISM (BASED ON THE WORKS OF J. FAULZ AND O. HOSHIMOV)
DOI:
https://doi.org/10.69691/3sn6p432Keywords:
postmodernism, self-understanding, metafiction, intertextuality, cultural context, authorial function.Abstract
This article presents a comparative-theoretical analysis of the interpretation of the phenomenon of self-understanding in the works of John Fowles, one of the major figures of English postmodern literature, and Utkir Hoshimov, a leading representative of Uzbek prose. The study examines such works as The Magus, Daniel Martin, The French Lieutenant’s Woman, and Dunyoning ishlari, focusing on the inner world of the individual, the crisis of identity, the psychological layers of the search for selfhood, and the artistic strategies through which these aspects are revealed under the influence of postmodern worldviews.
References
Fowles J. The Magus. London: Jonathan Cape, 1965.
Fowles J. The French Lieutenant’s Woman. London: Jonathan Cape, 1969.
Fowles J. Daniel Martin. London: Jonathan Cape, 1977.
Hoshimov O‘. Dunyoning ishlari. – Toshkent: G‘afur G‘ulom nomidagi Adabiyot va san’at nashriyoti, 1980.
Lyotard J.-F. The Postmodern Condition. Manchester University Press, 1984.
Hutcheon L. A Poetics of Postmodernism. Routledge, 1988.
Fromm E. Escape from Freedom. New York: Farrar & Rinehart, 1941.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Journal of Tamaddun Nuri
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
