THE ARTISTIC IDEA OF SYMBOLICAL IMAGES IN THE NOVEL “BALANCE”
DOI:
https://doi.org/10.69691/g6ymbq57Keywords:
symbol, entity, portrait, monologue, image, style, landscape, psychological symbol, symbol, aesthetics.Abstract
The fact that world literature novels have been achieving success by sharply posing today’s problems to humanity and finding solutions to them through various methodological and formal researches is also a skill for Uzbek novels. In this sense, it is natural that the novels of the independence period meet the existing experiences of modern world literature. It is appropriate to quote the following thoughts of Ulugbek Hamdam about the renewal of artistic thinking: “The world sees the face not by forcing a new form, expression, but by renewing the worldview, the perception of the world, by renewing our artistic thinking style, our heart, that is, by making huge shifts in the socio-historical, spiritual and psychological ground”1]. It is understood that the renewals in the novel genre have yielded a number of positive results. We can see the aesthetic perfection of the novel genre in the example of Ulugbek Hamdam’s novels alone.
References
Норматов У.. Ҳамдамов У. Дунёни янгича кўриш эҳтиёжи. // «Жаҳон адабиёти», 2002. -152 6.
Qodirov P. Ma’naviyat, modernizm va absurd // O'zAS, 2004. 26-mart.
Hamdamov U. Muvozanat. - Toshkent: Minhoj, 2004, - B.3.
Sharafiddinov O. Modernizm jo'n hodisa emas // O'zAS, 2002, 7-iyun.
Quronov D. "Muvozanat" - o'tish davri ko'zgusi / Muvozanat - Toshkent: Yangi asr avlodi, 2009. - B. 3.
Ҳамдам У. Мувозанат // Жаҳон адабиёти, 2002, 5-6-сон.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Journal of Tamaddun Nuri
This work is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International License.
